I don’t do New Year’s resolutions, because every morning is like starting afresh and I strive to do the best I can each day. But I’ll often receive a scriptural theme that blankets the coming year. For 2020, it’s Psalm 63:3-4: “Because your steadfast love is better than life, my lips will praise you. So I will bless you as long as I live; in your name I will lift my hands."
Too often, it seems the urge during prayer or reflection is self-centered. That is: focus on self, do something good for self, be my better self, etc. But the more challenging life gets—and it can get pretty stinky—the more I’m certain Self can’t help with squat. 2020 will be like all the other years before it in that our days will have its difficulties. We might experience great or little change, promotions or loss—whatever it is—the only thing steadfast and better than life is the Lord’s love. So, I figure, no matter what, if we focus on that, his love, and do the best we can with what he has given us, praising him through the beautiful weather and the storms, we’ll be more than all right. And at the end of the year, if we’ve scaled a few mountains it’s because he got us there and we can look back and enjoy the view knowing he’s got this, ordaining the steps of the journey. He’s got us and we’ve got him. Breathe. Happy New Year.
The Brother's Keep series is now available in paperback as a compilation of novellas I-IV. 364 pages in this volume of allegorical Christian fantasy romance.
Coming-of-age amid fallen angels, mermaids, supernatural beings, and vampires has its challenges. But there is hope and beauty in these fairy tales, as well. See how and why.
Some people know what’s behind reissuing of books and recovering of novels. But because I’ve been asked more than a few times, especially recently, I’ll briefly share with those who don’t know and are curious why an online search might churn up more than one version of a particular work by an author.
If an author is contracted with a publishing company for a particular title, the author sells their rights to that title. What this means in industry standard is that the author enters a partnership. The author still has a say, but ultimately must come to an agreement with editor(s) (new boss) and graphic artists before the work is released.
When the term of contract is up, which can be anywhere between two and seven years, give or take, the full rights of the work revert back to the author and then he/she is free to seek publication elsewhere or even recontract with same company for another term. The full rights meaning the initial written work at the time of submission—before it gets an overhaul by the boss and staff. They retain what they still own, which almost always includes their artists’ work (covers) as well as formatting.
That’s why when an author republishes with a different company or version, you’ll see a new or different cover pop up for the same book. That’s the latest edition, and it’s the one that’s readily available—or should be.
I appreciate the various publishing companies I’ve worked with in the past, their devotion to the art of books and to creators, work ethic, and great rapport with their writers. I’m grateful that I’ve had pleasant partnerships. Thus, the ending of a contractual term is often bittersweet. Happens that my six-year term for Ice Dancer’s Hold has recently ended and the novella is being rereleased this week and made available in bookstores once again. Same novella, just hosting a different cover—and the new formatting I have to say is da bomb. Check it out:
Old Bones by Douglas Preston
My rating: 5 of 5 stars
Neat to see in this book a few cherished characters from the beloved Pendergast series. And, wow, was I shocked about the Pigeon's Ranch location as a tie-in to the Donner Party of Sierra Nevada. I had lived in the wild wilderness of Pigeon's Ranch steeped in the history (and hauntings) of the Battle of Glorieta Pass in the Sangre de Cristo Mountains. Other than huge history buffs, few people knew about that area. I guess this book changes that. Anyway, superb writing, as always. Captivating, well-researched, and interesting to read.
View all my reviews
A woman solo hiked the PCT. This is her engaging rite-of-passage memoir, Wild: From Lost to Found on the Pacific Crest Trail. I could hardly put the book down, strong was my desire to gobble up every trail and survival detail. I love hiking, along with exploring the backcountry on horses, and primitive camping. While my own two feet have traversed sections of both the PCT and the AT (Appalachian Trail), I can only, thus far, live vicariously through those who have actually “thru-hiked.” Cheryl Strayed didn’t exactly hike through, having started in the Mojave Desert in California and finished at the Bridge of the Gods connecting Oregon to Washington, but she covered 1,100 miles on her weary, blistered, nail-less toes, having started out ill-prepared and untrained. That’s nothing to scoff at, by any stretch. That’s gutsy.
**potential spoilers below**
The writing is sharp and the storytelling vivid. I trekked into the pages assuming I could relate to the author as I, too, lost both my parents. I know what it’s like when your family unit sort of disintegrates due to grief; when the strong root is dug up, or the anchor is hoisted leaving you feeling adrift. Yet, I couldn’t grasp the author’s perspective on a number of levels. From her form of recklessness and promiscuity, to feeling a life force—though the size of a grain of rice—recognizing she was pregnant, and then using “I got an abortion” and “learned how to make dehydrated tuna flakes” in the same sentence. I couldn’t comprehend why her editors kept in the dalliance with “rad” man, as it had nothing to do with the story and certainly didn’t move it along. I didn’t understand why she unreasonably obliterated a solid marriage to a great guy, or how she expressed pain. And the incident with her mom’s horse, Lady: horrid. Choices, choices!
Still, her descriptions of nature when compared to her state of being proved starkly eloquent. When she hadn’t seen another human for weeks. When silence was tremendous. When she expressed that she was nothing to pebbles, leaves, and branches, yet they were everything to her. “Everything but me seems utterly certain of itself. The sky didn’t wonder where it was.”
When she did have encounters with other characters, they were interesting. Clyde’s words moved me while he said he didn’t believe in reincarnation when Cheryl had asked him. He said, “I believe we’re here once and what we do matters.”
And Cheryl’s mom having cancer that consumed her before she reached 50. I understood the tragedy of it. And the painful truths that came also from the mom’s mouth, about how she never got to conduct her own life—to be in the driver’s seat. She always did what someone else wanted her to do. The most uncomfortable sentiment, “I’ve always been someone’s daughter or mother or wife. I’ve never just been me.” Sorrowful authenticity is a killer.
So, you see, Wild was a weighty, ugly-beautiful book. Hard to rate. It’s like life, you take the good with the bad—which I suppose is the theme of this chronicle. Although I’m a different-thinking person from that of the author, with a contrasting belief system and grief display, and I didn’t quite see in my mind a “healing” take place, I admire Strayed who “strayed” and wrote for us a compelling memoir to digest.
I’m a seasonal woman. I love seasons. Winter maybe a little less, as I’m not a fan of driving on ice and snow. Thank goodness I live in an area where winter is fairly short and temperate. By the title of this post you may have guessed my favorite season: autumn.
Leaves are falling in abundance, although it seems the trees shouldn’t have much left at this stage but they still do. When yesterday darkened, I glanced out the window and witnessed a flash of burnt orange, gold and crimson leaves lift off a tree as the wind carried them away in a flurry. I thought about the symbolism of that, an allegory, a spotlight on shedding dying or dead things in circumstances. In my own life.
I love transitions, too, sometimes even the difficult ones. It’s the feeling of having to move forward through something that I appreciate. The shedding season is here in its full-blown glory. I doubt I’ll hunker down and go dormant this winter; it’s against my nature, even though something about that idea is soothing to the soul. But I will expect a sort of newness after the passing of this winter. A kind of renewal in gearing up for spring. I wonder what that renewal will actually look like; and the other side of it? I guess I won’t know until I get there. In the meantime, I’m going to enjoy the glinting beauty of scattering leaves while I can, and grab another cup of clove-flavored coffee helping to make the necessary shedding process a little more comfortable.
Big whoop, right? For me it is, when I seem to move at a slower pace than the rest of the world. For a long time, I heard Instagram is where it’s at, whatever “it” means (still processing)—but I did finally catch up in this social media race. Give me space to tiptoe on my own and I’ll eventually get there (said the tortoise to the hare).
Instagram. You can follow me there, here:
On an early morning walk this week, a great white heron flew in front of me. I felt the flush of wind from its powerful wingspan—it was that close. I might be misidentifying this magnificent creature, but I do know it was not a color-morphed junior—the thing was gigantic and entirely white, no black legs or darkened bill. I suppose I should have been startled by its sudden presence, but I stood in awe as it glided across my path at eye level and then soared skyward. I could have been envious of the bird for its freedom and fearless flight. Instead, I wondered curiously what the view was like up there over the treelined marsh in this Sweetwater valley of Tennessee.
I grew up mostly (or mostly grew up, haha) on Fidalgo Island in Washington State. I used to hike to a couple special spots just to watch the heron(s) in complete harmony with earth, water, and sky. I’d sit for hours as one would move in stately silence, fish with purposeful patience, pass from complete focused stillness to the majesty of commanding aviation in a blink. Strong birds. Confident loners, I somehow took comfort in watching them. Never before have I seen a white one, though, so this unexpected recent encounter was extra special.
There’s an inclination I have to read symbolism in everything, see a spiritual sign beyond the physical, spot an allegory. Probably stems from my Judeo-Christian background, and this nature is quite strong in me. My sister/BFF says that I walk between two worlds. Because it’s true, my mind and heart were heavy and I was seeking God that morning. Though my feet were firmly plodding forward on the path, my cognizance was somewhere else completely. So now I ask what, exactly, is the Lord saying to me? Herons in Hebrew culture represent long-suffering, wisdom, and protection, are forbidden to be hunted or eaten. Early Christians believed herons shed red tears when under stress and their emblem came to represent Jesus’ agony of sweating blood in the Garden of Gethsemane. Yet somehow there seems to be more here, something else I’m not perceiving.
“The Holy Spirit helps us in our weakness. For we do not know what to pray for as we ought, but the Spirit himself intercedes for us with groanings too deep for words.”—Romans 8:26
Or maybe there wasn’t meaning in that encounter at all. Maybe that moment was just meaningful in that the heron was neat to look at and nothing else hinges there. Maybe I read too much into things. Except, as the week continues to churn, images of the white heron paint my mind in pure flashes and I’m inspired and hope-filled and utter thanks to the Lord. Regardless and always, God is sensitive, compassionate, merciful, and good. I trust him. And I certainly appreciate that he created that standout heron.
Now back to my chips-n-salsa which I also appreciate. You see? Two worlds, lol.
A problematic social issue, a unit called to respond.
A man struggles to right his wrong.
“If I had said ‘no’ instead of ‘yes’ when they asked me to do this thing, then maybe I would have turned out a hero instead of what I’ve become.
We were trained, hired with the promise of a good wage, to take care of a problem, to get things under control. As a man, I needed to succeed for myself, for my family living in a cycle of poverty in the sertão, the backlands. The earnings proved excellent, and far outweighed the promises made by the controlling peasant guerrillas. But the other part of it… If I knew then what I know now…
I can’t live with myself…
I can’t live.
If I could take it back. Everything I’ve done--
Ach, who could do such things? And if one could, then who would forgive such things?”
This is the story of one man's dark path to redemption.