“Never listen to your critics. They aren’t qualified to usurp the still, small, voice that speaks in the silence between your own thoughts.”—Russ Walden
It takes courage to write truths in fiction; write what hurts. To contextualize emotions, the struggles; tapping into the raw nature and grind of real life and transposing them into an altered universe. The result might not represent a true existence verbatim, but can harbor the angst, dilemmas, struggles, and sicknesses of hope-depleted hearts in order to instill hope in the end. It can be scary sometimes to release a story that holds a little more truth than you’d care to admit. Makes one feel vulnerable. But it’s always the still, small voice, a reminder that what’s written might be intended for one person only. And that one person to get it, feel moved and encouraged by your labor of love, washes over any potential collection of critics, large or small.
Writing with boldness, listening with care…
At last, I finished the first draft of one of my current works-in-progress. And this novel was a struggle. One of the biggest hurdles in my creative writing process, both in length and ethics. Took over a year to complete—a COVID-year, mind you, but still!
Normally, when I end a first draft, I want to celebrate. I’ve known colleagues to even crack open a bottle of bubbly at this early stage (with another after publication). The foodie that I am, I prefer grabbing one of my favorite meals: tacos, Thai, or t-t-t-t-t—spaghetti. Except, after I typed the last key yesterday, I was so spent that I nearly slid from my chair to the floor in an exhale, curled up, and sucked my thumb. Today, I feel like this Shaun the Sheep-ish depiction.
Standing alone in an amber space (sort of like a caution light between go and stop), nursing on a Binky, wide-eyed. Determining if the inner turmoil and opposition to completing this book was because of divine inspiration and the start of something new… or it’s crap. There’s a fine line there, ha!
Since I have other active stories, it’s time to rotate and finish another while this one ferments. Have to let the manuscript sit for a while until I can come back to it with fresh eyes.
This is just another friendly FYI post by your Shaun the Sheep-ish stand-in. Still standing, at least…
Some people know what’s behind reissuing of books and recovering of novels. But because I’ve been asked more than a few times, especially recently, I’ll briefly share with those who don’t know and are curious why an online search might churn up more than one version of a particular work by an author.
If an author is contracted with a publishing company for a particular title, the author sells their rights to that title. What this means in industry standard is that the author enters a partnership. The author still has a say, but ultimately must come to an agreement with editor(s) (new boss) and graphic artists before the work is released.
When the term of contract is up, which can be anywhere between two and seven years, give or take, the full rights of the work revert back to the author and then he/she is free to seek publication elsewhere or even recontract with same company for another term. The full rights meaning the initial written work at the time of submission—before it gets an overhaul by the boss and staff. They retain what they still own, which almost always includes their artists’ work (covers) as well as formatting.
That’s why when an author republishes with a different company or version, you’ll see a new or different cover pop up for the same book. That’s the latest edition, and it’s the one that’s readily available—or should be.
I appreciate the various publishing companies I’ve worked with in the past, their devotion to the art of books and to creators, work ethic, and great rapport with their writers. I’m grateful that I’ve had pleasant partnerships. Thus, the ending of a contractual term is often bittersweet. Happens that my six-year term for Ice Dancer’s Hold has recently ended and the novella is being rereleased this week and made available in bookstores once again. Same novella, just hosting a different cover—and the new formatting I have to say is da bomb. Check it out:
A problematic social issue, a unit called to respond.
A man struggles to right his wrong.
“If I had said ‘no’ instead of ‘yes’ when they asked me to do this thing, then maybe I would have turned out a hero instead of what I’ve become.
We were trained, hired with the promise of a good wage, to take care of a problem, to get things under control. As a man, I needed to succeed for myself, for my family living in a cycle of poverty in the sertão, the backlands. The earnings proved excellent, and far outweighed the promises made by the controlling peasant guerrillas. But the other part of it… If I knew then what I know now…
I can’t live with myself…
I can’t live.
If I could take it back. Everything I’ve done--
Ach, who could do such things? And if one could, then who would forgive such things?”
This is the story of one man's dark path to redemption.
The Unspeakable (Puma) is now in its second edition, a version with the same storyline but repackaged. Newly categorized under Christian Suspense, and International Mystery & Crime, if you have not yet read this book I invite you to do so – though it might keep you up at night.
When bad things happen to good people, what then?
When a furtive conflict is pitted between violent leftist guerrillas and a rightwing paramilitary group in Colombia, a North American woman mistakenly gets caught in the middle.
“I spent four months, one week and two days in a clandestine prison referred to as The Water Cave. Every day I stared hell in the face, and each day I wanted to die. I don’t want to share too much too quickly. To understand fully, you must join hands with me, fasten your heart to mine, and course through my book. Stumble over the incomprehensible human rights journey with me. I've pondered it to the brink of questionable sanity, and it's the only way to explain. I suppose I should consider myself lucky I survived at all—for many did not—yet, perplexingly so, that’s not the premise of this narrative.
He altered my life, marked me forever.
But it’s not how you might imagine.
This is a story involving Horacio Botello, my torturer known as Puma.”
The deeper the darkness, the deeper the awareness of grace.
From where has God brought you?
A writer, I often prefer stepping away from safely bubbled literature into something rawer, more tragic and real. Drawn to the psychological divergence of the night season, it's not quite the night season of temporary circumstances - but the powerful light near the end that beckons. Light appears brighter as you step from the shadows. Grasp that light tightly with newfound gratitude...I do every time.
There is a sacred purpose for everything, even literature bordering a darker side. Sometimes bad things happen to good people. What then? Within this framework, one can hear HIS voice distinctly calling, “Child, come home,” whispering, “child, be healed,” shouting, “Child, I forgive you.” This is the way, walk ye in it…
From where has God brought you?
The deeper the darkness, the deeper the awareness of Grace.
I found a first edition of my all-time favorite fantasy novel! I’d first read it when it was released in 1982. Had checked it out at the school library and read it three times before I returned it. I have other editions of this story, but nothing compares to this original along with its fabulous cover – especially when it was so influential for me as an impressionable kid and an aspiring author.
The Darkangel has the best theme. A coming-of-age slave girl, uncomely, unloved yet yearns to be loved, tries to avenge her mistress’s kidnapping by killing her abductor, the Darkangel, a vampyre. He captures her instead, and forces her to care for thirteen sad, withered wraiths who, she discovers, were the once beautiful women he’d kidnapped. She has to resist his deceptive powers, as well. He’s cruel, but sometimes she catches a glimpse of something within him and believes he is not beyond repair. She escapes, burdened and driven by compassion, to find a way to set the Darkangel free of the evil within him – but not without a perilous journey, danger, great challenges, and growth in strength and character first. Eloquent, meaningful, symbolic, and imaginative – Meredith Ann Pierce’s books are my most loved in fiction.
I’ve always wanted to add this particular edition to my library, and now I have that privilege. I’m so excited!
Please meet my New Adult, Paranormal Romance, Speculative, angsty novel written from a Biblical Worldview (if that is not a mouthful). Freshly published.
Elyse Magellan auditions at a dance conservatory for the elite. Privileged she is not, and so presses on by sheer determination, talent—and hopefully a great deal of luck—to get into the prestigious school and resident company. But nothing overwhelms her more than the aristocratic Gabriel Krist – the school’s accompanist and concert pianist. Not only does he possess a compelling demeanor, he looks like a god, an angel pale and beautiful. He’d like to possess her, but is it for love or something else? What others in the wings say about him is a shrouded story. His promiscuous reputation has Elyse, the innocent, on edge. That’s not the only thing that troubles her. Gabriel is…different. Something dark resides in him. She doesn’t know what it is, this thing that urges her to run, yet she can’t seem to pull away. At the same time, Gabriel is desperate for someone to find even a flicker of goodness in his cursed and heartless soul. Dare he lead this young fawn in his irreparable dance through the dark? Or does she possess the wherewithal to lead him out of the shadows and into light?