Speculative Fiction
Biblical Worldview
Biblical Worldview
Pressing through...
 We can settle in a place of peace, regardless of what’s going on around us. It might be our nature to desire delineations, even if we dive deep in the Spirit. We might want to see above the surface, or how far to the floor. We might yearn for a glimpse of what’s around or ahead of us. We think we need explanations. Lines and restrictions can give a sense of security… or control. But what if God is asking us to abide in the depths of his fathomless grace? To just linger in his presence, in stillness, even if it’s dark and we can’t see as far as our own hands in front of us? To truly, wholly, trust in him, his mercy--just trust. A hurricane can rip over the surface and destroy everything in its path; impacting everything as we know it; perhaps ridding the familiar or comfortable. But in trusting him, in letting go and allowing him to sweep through our circumstances, our lives, our hearts; we can all the while abide in the depth of his peace, in calm. We can remain in an immovable space, a divine place; one of intimacy and confidence in the God of Glory who speaks to the storms. Instead of the storms threatening to destroy us, we watch them as they shift and scream away at his whisper. All that’s left is what was there all along. Peace, calm, assurance. To trust at a place in the present, where neither height nor depth nor anything can separate us from his love (Romans 8:39). May you abide in his immeasurable peace.
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 On my shoulder, I feel… tap, tap… the prodding of the Holy Spirit, along with the words, “The time is 0400 in Davao.” Oookaaay. I’m perplexed. I also have to look up as a refresher what 0400 means, as I don’t operate on so-called military time. As a courtesy, if you’re like me, that means 4 AM, lol. Other cities and times are given to me over weeks, maybe months now, at different spots in my days. Even a waking in the middle of the night, I hear, “The time is 12:39 PM in Dubai.” Appreciating better the civilian time, I glance at the clock and had already grown accustomed to looking it up, as if I still needed confirmation. It was indeed 12:39 at that instance in Dubai. I’m an intercessor and requests of the Lord can be unusual. At first, I wondered what this was about. Then I realized these were all port cities. I asked if God wanted me to pray for these cities; did it have to do with territories, spiritual dominion, what? Then I saw in my mind’s eye distinct lines across blue. These were shipping routes. I began praying, and it led to praying for not just the shipping industry or routes themselves, more so, who works at sea. In some instances, what I was experiencing in “stepping into the shoes of another” so to speak, was rather tangible. And it wasn’t like intense spiritual warfare. This was more like prayers for edification, encouragement, a building-up of the human heart and soul. Dates are important, and for some reason here, so are clocks. Over the past year, the Lord has taken me into three-month seasonal increments with themes. They are somehow connected, although my human eyes and reasoning cannot tie it all together (yet) but I’ve been through the wilderness, mountains, stretches of desert, and now it seems the ocean. This is my “Period of Rendering” I’ve been told, until Purim, anyway. Not sure I’ll fully know what rendering means, as there are so many definitions. But currently, images, visions, dreams seem to have much to do with the seas, ships, and nautical symbolism. It’s grown strong. Even in my prayer language, maritime terms have flown out of my mouth, including crew positions. I had to refresh my mind on, for instance, what a bosun is and does. As I’m praying for others, the Lord is also working with me. Although I grew up in a fishing village where a lot of people were about boats and fishing, those in my immediate circle were not. And to say I’ve had a healthy fear of water is an understatement. It’s probably pretty unhealthy. I’ve watched movies like The Perfect Storm, All Is Lost, or Poseidon with abject horror—yet I can’t look away; it’s torture. I’m not a strong swimmer. The idea of cruising the ocean has filled me with dread. I’ve had a PTSD kayaking incident (rescue) in the Gulf Islands. And a recurring nightmare has plagued me most of my life where I’m trapped in a sinking ship. But God! He’s reminded me that there was a time when he’d asked if I was willing to go to remote places on the earth to share his love for others, and I said yes. Decades ago, I served as a missionary all over the world with an amazing group of people who strove to preserve cultural wholeness rather than changing everybody up. We presented Jesus exactly as he is, a Semite who came for all people. We did cultural exchange programs—and I loved these—where I’d learn the local dances; I’d also teach my Jewish dances, and together we danced and celebrated the glory of God. But the recent reminder here hovered over locations. And willingness. There’s a joke among missionaries, “Yes, God, I’ll go and serve you; just don’t send me THERE.” And that’s usually where God sends you, the place you fear the most. Kind of like Jonah running from his mission to Nineveh then getting swallowed by a whale. As I was thinking about that, I remember when God had asked me to go to some pretty challenging and hard-to-reach places, ministering, joining arts and hearts, planting churches, delivering commodities. So many places, opportunities, tribes, and events. So the Lord recently questioned me, “Tessa, if the ocean were a mission field and I asked you to go there… would you?” I think over much of my life, the answer would have been no. Instead, I jumped and shouted, “Yes, Lord! Hineni!” Hineni is a Hebrew term that means much more than “Here I am!” It’s a serious way of giving yourself over to complete availability and total readiness. Wildly abandoned to God’s will. In other words, if you say it; you’d better mean it. And I do. Water is often symbolic in the spiritual sense of expanding and moving, cleansing and flowing. The important thing is being ready for anything. And trusting wholeheartedly. And this is where God is working on my fear. I was surprised at my emphatic answer. But then I realized, I’m mentally at a place in life where I could give up everything, leave everything and sail, if that’s what he wanted me to do. I know he has my life in his hands and I can face anything. For if he’s beside me, behind me, before me, and beyond me and the horizon, and even below me, then I’ll be all right. Not unlike a lot of people, I’m not void of snags and complicated circumstances that hinder a mission of picking up and leaving if this were literal. I wondered about those details when the Lord gave me a vision. I was holding two pieces of a jigsaw puzzle. The outline or frame of the puzzle was already laid-out. The Lord had all the rest of the pieces in his hands and he plopped them down within the frame, and suddenly the puzzle was done, pieces put together. I snapped in my two little pieces, and the Lord said to me, his little girl, “Good job! I’m so proud of you,” making me sweetly feel as if I completed the puzzle when he did it all. I took this to mean to not worry about the process or details or how things fit together; he’s got it all, whatever “it” is. Just focus on the big-picture result, and childlike-trust him. I believe this year will be a revealing of mysteries and revelations. “He reveals deep and mysterious things and knows what lies hidden in darkness, though He is surrounded by light.” (Daniel 2:22). Things that are shifting or have been getting into position in the heavenlies will suddenly fit together in the natural. The weary will burst into rejoicing (hallelujah). And I hear the Lord say, “Thank Me. Thank Me for what I’ve already done.” I just have to interject here that I honestly don’t know why anybody would not want to pursue a Spirit-filled life. It’s spontaneous, meaningful, and exciting. As an intercessor, I sometimes get to live vicariously through someone else and what they do, someone for whom I’m praying. Speaking of that, apparently, I’m still in the metaphorical maritime phase. Yesterday, the Lord again told me to get ready for my new assignment, and that my future is going to look nothing like my past. Then he said, “Suit up.” I’m like, “Right on! It’s go-time! I’m ready—wait, did you just say ‘Suit up’?!” … to be continued “Unfathomable oceans of grace are in Christ for you. Dive and dive again, you will never come to the bottom of these depths.”—Robert Murray M'Cheyne A reader asked, “Did that really happen to you?” after finishing one of my novels. I’ve heard this before, and the character-revolving question churns in my mind. It’s a great question. One for which I don’t always have a ready answer, because it’s rather loaded.
When I was a professional dancer, one of my fortes was Character Dance. I think this is where I first came to understand that, as an artist, I’m all my characters and none of my characters. I abandoned myself in a role, poured out blood, sweat, and tutus, until I became another persona. The interpretation was all mine (via the Lord’s inspiration and direction). After I hung up the costumes and retreated to the hotel or home for a cup of tea and a foot-soak, I was just me and nothing like the earlier identity on stage. It’s the same with creating characters in books. Sometimes a reader will say, “I can relate to you,” when referencing the protagonist in a novel. I appreciate the response; it’s also interesting for me. While I can draw parallelisms, such as an incident or event that motivated the story, antics that aided a character’s development, or inject personal likes and dislikes, I’m not that person. Not even in my first novel, which is assumed in the industry to be every writer’s veiled autobiography. I'm just a vehicle to carry out another's story. If I am my characters, then I’m also a human-flesh-eating imp, a war criminal, and a subterranean giant. I’m ALL of them (because creators invest in roles), and NONE of them (because I’m somebody else at the end of the day). Clear as mud? Lol. I'm inclined to think it's more the moral of the story that speaks (if anything does), which is sourced from a gracious God. I tire of political ads, speeches, campaigns wherein the focus centers on dissing opponents. Can’t recall when this became customary, but it has always struck me as poor taste. I hate few things. This is one of them. It might be the especially volatile climate of today and weighty bitterness and injustices witnessed cities-wide, a shaking pandemic, or that I’m just getting older and less tolerant of subjecting myself to this much negativity. Because I seem to have developed a recent habit of turning off the radio or television just as soon as a politician begins this focused rant—and it’s usually by the third or fourth word. I know I’m idealistic to a fault, but I just wish I could hear a passionate speech on proposals, personal principles, and persuasive stands with the strength to stand on its own merit without the use of harsh words ripping another by ugly comparisons and throw-downs.
Years ago, I’d served as a ghostwriter for political content. It can be well-paid, eye-opening work, but not for me I finally realized. I just couldn’t stomach it anymore. Am I tainted by the experience? Sure. I’ve had more than my share of exposure to those who like to rule with brutal words and iron fists. But I always end up asking: Do unsavory words for the purpose of propelling an agenda (or for any reason) add virtue or honor? Do they truly enlighten or inform us on the issues at hand? Yet, instead of growing harder, I seem to be softening under iron fists. I suppose I’m yearning for people, leaders, who dare to operate by a different slogan; one I’m trying--really trying to implement in my own circle: “Finally, all of you, have unity of mind, sympathy, brotherly love, a tender heart, and a humble mind.” (1 Peter 3:8). While I’m aware we will not all have unity of mind in this lifetime, on this earth, with such a range of discordant issues and beliefs, I think if we practice sympathy, brotherly love, a tender heart, and a humble mind (that is, putting the welfare of others before our own)—even just one of these—then maybe we’d behave a little better toward one another. Take better care with the words we use for each other, our fellow humans. We might even earn respect. Today, I value kindness to a much greater degree, and I beg, I beg it begins within me. Regret. It’s a part of human nature since the fall of man, and I daresay we are born with having to deal with it. I have regrets. A few are doozies that keep me up some nights. They fall under the categories of immaturity, impetuousness, impatience, denial, poor choices—maybe ones that changed the trajectory of my life—and I’ll admit, foolishness. When I didn’t think or wait on the Lord, or heed the advice of others, but moved forward on my own volition. Tsk, tsk, tsk. Savage! As an introverted writer, I have to say I’ve rather enjoyed this shelter-in-place era as little has changed in my day-to-day—other than closure of the Cherokee National Forest wherein lies tastes of freedom I particularly enjoy. But as a deep thinker, I’ve found this season especially challenging wherein thoughts can be dangerous. In other words, if the virus doesn’t kill you, or pro/anti-mask-wearers smack you depending on which “side” you’re on, regret just might. Unless you strive for a renewal every morning by God’s Word—our blueprint for life, a barebones necessity, our spiritual water, food, and shelter. Writing is purpose-filled for me, messages contained within paper or digital pages intended for others. There is sometimes my own therapy in the progression, though. Which leads me to my current WIP (work-in-progress). After receiving emails asking if I’m going to write a sequel to Remnant, with the reemergence of Atizael, the answer is a solid yes. And I’ve started that; however, often the current of creativity demands a drop and refocus. I’ve switched gears. Working feverishly to finish a book on regret and the transgressions and haunts of our past. It’s in the format of a dark fantasy romance, but the spiritual significance is there, and it’s what I—for some reason—need to spend my time on right now. The current working title at this point is Dark King’s Human Bride. And in being honest, unless my beta readers tell me, “Hey, Chicky, this is a bit much,” it’s coming out a touch graphic. I have a longstanding issue with much of Christian fiction being candy-coated anyway (perhaps more on this in another blog). Human nature is human nature, and evil is evil. Regret in all forms is regret in every form. It is what it is, and I have to be true to the nature of this beast. But not without good intention! I find a quote by writer Anne Lamott perfect for the launch of this literary ride: “Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up.” This savage has set off. More later.  Science fiction writer, Robert A. Heinlein, coined the term “speculative fiction” in the 1940s. Since then, the industry often uses the “spec-fic” label as an all-inclusive phrase for any fiction that is science fiction, fantasy, horror, space opera, steampunk, superhero, alternate history, dystopian, paranormal, supernatural, weird fiction, or a combination, and more. But I think the genre today has strengthened into something more specific. Add in faith components to explore and--voilà!—you may have Christian speculative fiction.
There’s an element, a key to what makes something speculative. I find a lot of authors call themselves speculative but aren’t. Maybe they’re science fiction or dystopian; however, something is missing. Because a writer pens fantasy, for example, doesn’t make him/her spec-fic. So what is it, what’s the needed key? Speculation is defined as a notion based on conjecture rather than knowledge. Something formed over incomplete information. It’s abstract reasoning or exploration of an opinion based on guessing. It’s mystery. It’s the book that makes you grab your chin and say, “Hum… I’m not sure what to think about that, but it’s interesting, and let’s dwell on it for a spell.” It’s a walk on the bridge between the intellectual and the visceral and not based on a plot or characters in a world-build where the author spells everything out. It’s asking, “What if?” in an imaginative landscape that’s open for exploration. Too often I grab a book to read that’s labeled Christian Speculative Fiction, yet it’s a straight up Christian fantasy, for example, (though perhaps well-done) that’s mapped out and exposited leaving no room for real speculation or imagination from the reader’s mind. I see it as a common mistake in branding. In fact, some authors might do better if they branded in a particular subgenre rather than speculative fiction because it’s harder to define. Ask eight people what spec-fic is and you’ll probably get eight different answers. I think for a book to be truly speculative it needs to leave room for questions, be an enigma, puzzling, something difficult to understand. My favorite spec-fic books have ingredients that leave me with a big fat question mark in the shape of a stairway to climb within my mind. “What did I just read? That was an interesting slant. It challenged me; haunted me. Let’s revisit.” In fact, if you find a novel that doesn’t quite fit in a specific subgenre, such as horror or fantasy, yet it does at the same time, and you scratch your head wondering what it even is—because the labeling is difficult for you to determine—then I’d say you’ve probably discovered the heart of speculative fiction. There are those reading this who would speculate on the accuracy of my speculation. And I’m just speculating, but the more the merrier.  Today, I have enough food. Today, I have a roof over my head, and I am healthy. Today, I have a comfy sofa, books to read, and music to soothe my soul. I have a means to communicate with my loved ones. Love can be expressed in so many different and creative ways. Today, from where I sit, I can witness the transitioning of seasons, the birds singing, plants sprouting, and the sun fighting to come through for us with warmth. I am grateful for today. Today is good.
#onedayatatime #perspectivematters I don’t do New Year’s resolutions, because every morning is like starting afresh and I strive to do the best I can each day. But I’ll often receive a scriptural theme that blankets the coming year. For 2020, it’s Psalm 63:3-4: “Because your steadfast love is better than life, my lips will praise you. So I will bless you as long as I live; in your name I will lift my hands." Too often, it seems the urge during prayer or reflection is self-centered. That is: focus on self, do something good for self, be my better self, etc. But the more challenging life gets—and it can get pretty stinky—the more I’m certain Self can’t help with squat. 2020 will be like all the other years before it in that our days will have its difficulties. We might experience great or little change, promotions or loss—whatever it is—the only thing steadfast and better than life is the Lord’s love. So, I figure, no matter what, if we focus on that, his love, and do the best we can with what he has given us, praising him through the beautiful weather and the storms, we’ll be more than all right. And at the end of the year, if we’ve scaled a few mountains it’s because he got us there and we can look back and enjoy the view knowing he’s got this, ordaining the steps of the journey. He’s got us and we’ve got him. Breathe. Happy New Year.  Some people know what’s behind reissuing of books and recovering of novels. But because I’ve been asked more than a few times, especially recently, I’ll briefly share with those who don’t know and are curious why an online search might churn up more than one version of a particular work by an author.
If an author is contracted with a publishing company for a particular title, the author sells their rights to that title. What this means in industry standard is that the author enters a partnership. The author still has a say, but ultimately must come to an agreement with editor(s) (new boss) and graphic artists before the work is released. When the term of contract is up, which can be anywhere between two and seven years, give or take, the full rights of the work revert back to the author and then he/she is free to seek publication elsewhere or even recontract with same company for another term. The full rights meaning the initial written work at the time of submission—before it gets an overhaul by the boss and staff. They retain what they still own, which almost always includes their artists’ work (covers) as well as formatting. That’s why when an author republishes with a different company or version, you’ll see a new or different cover pop up for the same book. That’s the latest edition, and it’s the one that’s readily available—or should be. I appreciate the various publishing companies I’ve worked with in the past, their devotion to the art of books and to creators, work ethic, and great rapport with their writers. I’m grateful that I’ve had pleasant partnerships. Thus, the ending of a contractual term is often bittersweet. Happens that my six-year term for Ice Dancer’s Hold has recently ended and the novella is being rereleased this week and made available in bookstores once again. Same novella, just hosting a different cover—and the new formatting I have to say is da bomb. Check it out:  A woman solo hiked the PCT. This is her engaging rite-of-passage memoir, Wild: From Lost to Found on the Pacific Crest Trail. I could hardly put the book down, strong was my desire to gobble up every trail and survival detail. I love hiking, along with exploring the backcountry on horses, and primitive camping. While my own two feet have traversed sections of both the PCT and the AT (Appalachian Trail), I can only, thus far, live vicariously through those who have actually “thru-hiked.” Cheryl Strayed didn’t exactly hike through, having started in the Mojave Desert in California and finished at the Bridge of the Gods connecting Oregon to Washington, but she covered 1,100 miles on her weary, blistered, nail-less toes, having started out ill-prepared and untrained. That’s nothing to scoff at, by any stretch. That’s gutsy.
**potential spoilers below** The writing is sharp and the storytelling vivid. I trekked into the pages assuming I could relate to the author as I, too, lost both my parents. I know what it’s like when your family unit sort of disintegrates due to grief; when the strong root is dug up, or the anchor is hoisted leaving you feeling adrift. Yet, I couldn’t grasp the author’s perspective on a number of levels. From her form of recklessness and promiscuity, to feeling a life force—though the size of a grain of rice—recognizing she was pregnant, and then using “I got an abortion” and “learned how to make dehydrated tuna flakes” in the same sentence. I couldn’t comprehend why her editors kept in the dalliance with “rad” man, as it had nothing to do with the story and certainly didn’t move it along. I didn’t understand why she unreasonably obliterated a solid marriage to a great guy, or how she expressed pain. And the incident with her mom’s horse, Lady: horrid. Choices, choices! Still, her descriptions of nature when compared to her state of being proved starkly eloquent. When she hadn’t seen another human for weeks. When silence was tremendous. When she expressed that she was nothing to pebbles, leaves, and branches, yet they were everything to her. “Everything but me seems utterly certain of itself. The sky didn’t wonder where it was.” When she did have encounters with other characters, they were interesting. Clyde’s words moved me while he said he didn’t believe in reincarnation when Cheryl had asked him. He said, “I believe we’re here once and what we do matters.” And Cheryl’s mom having cancer that consumed her before she reached 50. I understood the tragedy of it. And the painful truths that came also from the mom’s mouth, about how she never got to conduct her own life—to be in the driver’s seat. She always did what someone else wanted her to do. The most uncomfortable sentiment, “I’ve always been someone’s daughter or mother or wife. I’ve never just been me.” Sorrowful authenticity is a killer. So, you see, Wild was a weighty, ugly-beautiful book. Hard to rate. It’s like life, you take the good with the bad—which I suppose is the theme of this chronicle. Although I’m a different-thinking person from that of the author, with a contrasting belief system and grief display, and I didn’t quite see in my mind a “healing” take place, I admire Strayed who “strayed” and wrote for us a compelling memoir to digest. |
TESSA STOCKTON, AUTHOR, BLOG -
Pressing through life, love, a few things that matter, and some that don't.
(I'm also a spirit-filled Messianic Jew, so you'll find a lot about that here too.)
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