A short story
In a year when thirty people jumped from San Francisco’s Golden Gate Bridge to commit suicide and succeeded, one person determined to join their throng.
Near light pole numbered sixty-nine, he swan-dives off the ledge, traveling at a velocity of eighty mph, free-falling 250 feet at low tide. Bound to converge on the despondent crowd of over 1,600 who preceded him in death since the majestic span erected in 1937, something shifts. Instant regret consumes him the second he unhands the viaduct. But the chance for survival after the four-second drop stands at less than one percent.
What if somewhere between his last contact with the steel bridge and the impact of the frigid, bone-crushing bay, hovers an alternative Courtroom in the Sky? A panel of Judges who reviews the motives in a person’s life.
Here enters Ralph “Specter” Specht, the famous frontman for the rock band, Ghosts of Fleas. In the eyes of the world, he led a good life; talented, successful, and spoiled. Nobody thought he could do such a thing, fling himself over the edge, even him. Not until the dark impulse.
The defendant on trial crosses the threshold into weighted proceedings. With a blooming change of mind, Ralph wonders if he will find a different sentence than what he first intended. His verdict awaits.
New book alert! Dark King’s Human Bride is available for preordering at select bookstores. Click the button below to reserve your copy of my latest dark fantasy of messianic proportions.
After its official release on January 24, 2022, the novel will be available in digital and/or print formats wherever books are sold.
At last, I finished the first draft of one of my current works-in-progress. And this novel was a struggle. One of the biggest hurdles in my creative writing process, both in length and ethics. Took over a year to complete—a COVID-year, mind you, but still!
Normally, when I end a first draft, I want to celebrate. I’ve known colleagues to even crack open a bottle of bubbly at this early stage (with another after publication). The foodie that I am, I prefer grabbing one of my favorite meals: tacos, Thai, or t-t-t-t-t—spaghetti. Except, after I typed the last key yesterday, I was so spent that I nearly slid from my chair to the floor in an exhale, curled up, and sucked my thumb. Today, I feel like this Shaun the Sheep-ish depiction.
Standing alone in an amber space (sort of like a caution light between go and stop), nursing on a Binky, wide-eyed. Determining if the inner turmoil and opposition to completing this book was because of divine inspiration and the start of something new… or it’s crap. There’s a fine line there, ha!
Since I have other active stories, it’s time to rotate and finish another while this one ferments. Have to let the manuscript sit for a while until I can come back to it with fresh eyes.
This is just another friendly FYI post by your Shaun the Sheep-ish stand-in. Still standing, at least…
A reader asked, “Did that really happen to you?” after finishing one of my novels. I’ve heard this before, and the character-revolving question churns in my mind. It’s a great question. One for which I don’t always have a ready answer, because it’s rather loaded.
When I was a professional dancer, one of my fortes was Character Dance. I think this is where I first came to understand that, as an artist, I’m all my characters and none of my characters. I abandoned myself in a role, poured out blood, sweat, and tutus, until I became another persona. The interpretation was all mine (via the Lord’s inspiration and direction). After I hung up the costumes and retreated to the hotel or home for a cup of tea and a foot-soak, I was just me and nothing like the earlier identity on stage.
It’s the same with creating characters in books. Sometimes a reader will say, “I can relate to you,” when referencing the protagonist in a novel. I appreciate the response; it’s also interesting for me. While I can draw parallelisms, such as an incident or event that motivated the story, antics that aided a character’s development, or inject personal likes and dislikes, I’m not that person. Not even in my first novel, which is assumed in the industry to be every writer’s veiled autobiography. I'm just a vehicle to carry out another's story.
If I am my characters, then I’m also a human-flesh-eating imp, a war criminal, and a subterranean giant. I’m ALL of them (because creators invest in roles), and NONE of them (because I’m somebody else at the end of the day). Clear as mud? Lol. I'm inclined to think it's more the moral of the story that speaks (if anything does), which is sourced from a gracious God.