Choices make destinies. Destinies can also change.
A few years ago, I sensed a shift in my spiritual journey. My dreams even changed. I heard drums in my sleep. At first, being of Jewish background, I thought they were Israeli, perhaps of Yemeni influence, since I had danced Yemenite-Jewish dances before—they are some of my favorites because of the percussion. And maybe my dreams began that way, but it became clear that what I was hearing originated from Native Americans. In one dream, I was walking in a cadence on one path at dusk, but when the music shifted, I turned and zipped up another, totally different path that ascended a hill, then a mountain. At the top, I saw people in regalia gathered there around a drum. Drawn at first by the sound, I couldn’t get there fast enough through the dark. And the closer I got, I realized the people sang praises to Yahweh and worshipped with fullness of joy in God’s spirit. Their divine sound swelled from the top of that high mountain and cascaded over the entire land as the sun rose in brilliance. The elation I felt was like nothing I’ve experienced. These kinds of dreams I was having grew so profound that the drumming became almost tangible. I woke up from my night visions and still heard the sound, like my own heartbeat. Sometimes, through the day, I’d hear the rhythm, remember the visions, and knew that something was up. God was giving me these reflections, images, sounds, stirrings, for a reason.
So, I’ve pondered this over the last couple of years. Mindful. Expecting something, but God chose to be… not exactly silent, but quietly guiding, gently influencing. I appreciated the gentleness, because the Lord was ministering to my own heart with healing even as I prayed for meanings and interpretations. He knew I needed the quietude, for he builds up rather than tears down. This past year I’ve spent a lot of dedicated months just pressing in, worshipping, seeking deeper intimacy with the Lord. One way I’ve served the Lord is as an intercessory prayer warrior. And this has manifested in a multitude of ways since the early 1990s, when he first called me to this type of praying. Now, as I’ve dwelled in his presence this year, I’ve felt a continual change within me, a sort of, I don’t know, personal cultivation, and it was very deep, very different. Also, I kept getting prophetic words from others about new seasons, new blueprints for what God is doing or preparing to do. I’ve heard repeatedly that the greatest spiritual harvest and healing that will take place will be unlike anything ever seen. Prepare for a spiritual tidal wave, I was told. Well, I want to be where God is moving, that’s for sure. I was receiving these words; in fact, I think a lot of believers I know were receiving the same, or along the same lines. There seems to be a theme of pressing in and of preparedness. However, in my own life, I couldn’t (still can’t) quite see what this is; what it looks like for me. My future, that is, is yet veiled. Except, a week ago, I distinctly heard the Lord say, be like a watchman on the wall—expecting, watching, waiting—and intercede for your Native American spiritual siblings, focusing on this, for the next three months. Although I long for more by details or involvement, that’s really all I need to know: the next step. Baruch Hashem (Blessed be the Name).
The Lord has, without question, planted in my heart that the greatest healing, revival, and harvest in this fractured land will emanate from the Indigenous. This is incredibly moving to me. That those who have been persecuted, oppressed, displaced, ignored—those who have the most to forgive will be central to bringing about the greatest move of forgiveness, healing, and restoration. Those who had been often damaged by the church will rise up and be the church, lead the church.
“So those who are last now will be first then, and those who are first will be last.”—Matthew 20:16
And it all will spring from the vital drum; culturally intact, spiritually whole. All last week long, after God asked me to intercede in this manner, I have received affirmation after affirmation. Then a thing popped up when I wasn’t even looking for it; it was a blurb about a documentary called Awakened. I watched it right away and was floored. Apparently, I’ve been in a cocoon, because a lot has been happening in this realm and I’m just now catching on. Anyway, Billy Graham made a statement 40 years ago regarding the spiritual destiny of the original Americans and of the move of the Holy Spirit through them to others. This documentary is about that, and here is a link: https://www.amazon.com/Awakened-Ellson-Bennett/dp/B07JN4WTGC
I like to immerse myself in the thread of what I’ve been asked to pray about, so I’ve done some recent googling. There have been all kinds of gatherings huge and small with this similar theme. In much of these videos and articles I come across, some older, some current, I spot flashes of the Messianic! And I’m thinking, as a Messianic, how did I not know my Jewish brothers and sisters were already getting involved and joining hands in this significant move of God? I mean, in videos and pictures, I see shofars, a kippah, and a tallit (prayer shawl) or two! In decades past, I’ve had the privilege and blessing to travel and minister all over the world, while absorbing the beauty of other cultures. The Indigenous peoples of the Americas, though, have always been extra special to me. Of course, I love my own cultural upbringing, so to see other Jewish believers in Jesus embracing and uniting in what others are calling the “awakening of the sleeping giant” in “leading others on the path to Yeshua” for forgiveness and revival, and a “coming into covenant with the races of America”… Well, that’s a giant double-cool for me! And getting up to speed… Well, better late than never. Yet, somehow, I have this impression that I am exactly on God’s timetable. And I thank the Lord for making things so interesting sometimes. Living a redeemed life is an exciting life, even from a little old, worn-out prayer closet like mine.
I’ve provided a few video links that share this heartbeat, yet there is a ton of other information out there to peruse.
https://youtu.be/abCr07OX8os Broken Walls, Ride the Wind
https://youtu.be/Mtof2r1jNpQ Azusa Now, The Call, Native America (2016) live in LA
I know this is different from what I usually post. I’m also a very private person and this was a little challenging for me to divulge—the personal tidbits anyway, dreams and such. I am a prophetic dreamer, but tend to be shy about it. This day seems apropos at least to say: I’m stepping out to step deeper in. What I’d like to do is scale that mountain and physically join with the flow of this ministry movement, but I am for now actively a committed watchman on the wall, praying and praising with intention, because this is what the Lord has asked me to do.
Be blessed, for we are coming into the Year of the Lord’s Favor (Isaiah 61).
Kind of feels like we’re in a slip of mass hysteria. We’ll remember it by the Toilet Paper Commemorative 2020. But did you know that over 40,000 people die from car accidents per year in the United States, more than 95 people per day? It might behoove us to practice safer, kinder, focused, and more patient driving practices as opposed to mindlessly ripping the road up as if we’re in a video game and can’t get hurt or hurt others. Yet, today, panic over a certain illness has taken precedence as fear spreads fear among humans. Maybe we’ve watched one too many viral-zombie apocalypse movies—I don’t know, but there can be moments where the observational reaction is suffocating.
So as I was experiencing one of those high-anxiety moments the other day, I stepped outside on my back porch, looked to the skies and earth, and was struck at the normalcy of nature. It breathes, “All’s well here; life goes on greatly and without concern.” Birds frolic in the sky dotted with clouds moved by a breeze, as cheerful songs trill and chirp from those happy little beaks; dogs trot along, their tongues hanging in joyful slobber; rabbits are getting frisky; and the deer still tiptoe to the silver stream lapping refreshing water to quench a moment of thirst. Then they all move on their way to wherever they go and do what they do. These things of nature, they don’t worry about tomorrow. As the Word says—and the Word is life—tomorrow will take care of itself.
So, sure, maybe we humans take reasonable precautions, just as we should when getting behind the steering wheel with our incredibly well-washed hands. But maybe at this time we should strive more to do as the following scripture tells us. We go about our business taking one day at a time, our souls seeking after the Father, the only true balm, the only real soother, our only pure provider when the world has gone mad.
Lately, I’ve been feeling as if moving underwater through life and had to take a break from routine. So, I’ve been absent from here for a bit. In the interim, a friend shared with me the following film of an underwater artist. Took my breath away. One of the most beautiful presentations I’ve seen, it's proven hard not to replay it constantly. I’ve had dreams of dancing underwater, but I think my day will be in Heaven when I know I won’t drown. Interestingly, this video has helped me as a writer. More on that development will be revealed at a later time. For now, please enjoy this all-encompassing masterpiece.
Although I’m a huge aficionada of music, all styles (okay, maybe a little less of country—don’t shoot me!), it is a rare occasion when I actually anticipate the official day of release for a particular album. This is one of those junctures where I have been counting down the calendar (three more days from this point) to claim my own copy of the looming album, of Beauty and Rage, by one of my favorite bands, RED. Sometimes I just don’t care to contain my enthusiasm, so here goes a sharesy of what to look forward to on the 24th.*
*They outdid themselves. What an epic album!
Maybe it should be entitled, True Love Never Dies. In the sequel to The Phantom of the Opera, Christine Daaé has been married to Raoul ten years. At first considered safe and secure, Raoul has proven otherwise, as he drowns in his self-inflicted indomitable issues. Moreover, tenderness towards his wife has withered to nil. She dutifully has stayed beside him, accepting her lot with grace, yet she is hollow where happiness should reside, disappointed where love should flourish. And all this time, she has suppressed the secret that her true soul mate is not the one she had married. Erik, the phantom lover, suddenly reenters the picture after a decade.
Wonderfully cast in this Australian production with Anna O’Byrne as Christine and Ben Lewis as Erik, the following is my favorite scene, a recollection of their night together, the two who were meant to be one. It’s beautifully tragic, horribly exquisite, pleading, what is love without anguish, heartbreak, regret, and longing.
An arctic blast swept over the region. Many places are closed, schools, businesses, as folks hunker in their homes, warding the chill.
I sat, staring out the window this morning. My restless spirit stirred with the sense of captivity. So I did what I often like to do, selected music and watched nature, allowing appreciation to swell. A warm house, a cup of coffee, my favorite chair in a quiet corner, the first glint of sun reflecting off iced trees at dawn, music to warm and settle the soul.
My kind of tango these days. Maybe I need to write a breakup, or another dance of decision anyway.
There was a time when I couldn’t listen to anything while writing fiction because, distracted, I’d focus on the progression of the music instead of the story. Things changed over time, and now I find music enhances productivity. I often rely on it.
My tastes are eclectic, and what I choose depends on the type of manuscript or mood. During the writing of Wind’s Aria I almost exclusively listened to Barber’s Adagio for Strings. Considered “The saddest music ever written,” and “full of pathos and cathartic passion,” I discovered, long ago, that sadness evokes greater creativity in me.
Today I’m lingering in the realm of fantasy and I find Globus a great go-to while in my current work-in-progress. Particularly fond of genre-blended pieces, here’s a sample of one I especially like: Sarabande Suite (Aeternae)