A short story
In a year when thirty people jumped from San Francisco’s Golden Gate Bridge to commit suicide and succeeded, one person determined to join their throng.
Near light pole numbered sixty-nine, he swan-dives off the ledge, traveling at a velocity of eighty mph, free-falling 250 feet at low tide. Bound to converge on the despondent crowd of over 1,600 who preceded him in death since the majestic span erected in 1937, something shifts. Instant regret consumes him the second he unhands the viaduct. But the chance for survival after the four-second drop stands at less than one percent.
What if somewhere between his last contact with the steel bridge and the impact of the frigid, bone-crushing bay, hovers an alternative Courtroom in the Sky? A panel of Judges who reviews the motives in a person’s life.
Here enters Ralph “Specter” Specht, the famous frontman for the rock band, Ghosts of Fleas. In the eyes of the world, he led a good life; talented, successful, and spoiled. Nobody thought he could do such a thing, fling himself over the edge, even him. Not until the dark impulse.
The defendant on trial crosses the threshold into weighted proceedings. With a blooming change of mind, Ralph wonders if he will find a different sentence than what he first intended. His verdict awaits.
New book alert! Dark King’s Human Bride is available for preordering at select bookstores. Click the button below to reserve your copy of my latest dark fantasy of messianic proportions.
After its official release on January 24, 2022, the novel will be available in digital and/or print formats wherever books are sold.
At last, I finished the first draft of one of my current works-in-progress. And this novel was a struggle. One of the biggest hurdles in my creative writing process, both in length and ethics. Took over a year to complete—a COVID-year, mind you, but still!
Normally, when I end a first draft, I want to celebrate. I’ve known colleagues to even crack open a bottle of bubbly at this early stage (with another after publication). The foodie that I am, I prefer grabbing one of my favorite meals: tacos, Thai, or t-t-t-t-t—spaghetti. Except, after I typed the last key yesterday, I was so spent that I nearly slid from my chair to the floor in an exhale, curled up, and sucked my thumb. Today, I feel like this Shaun the Sheep-ish depiction.
Standing alone in an amber space (sort of like a caution light between go and stop), nursing on a Binky, wide-eyed. Determining if the inner turmoil and opposition to completing this book was because of divine inspiration and the start of something new… or it’s crap. There’s a fine line there, ha!
Since I have other active stories, it’s time to rotate and finish another while this one ferments. Have to let the manuscript sit for a while until I can come back to it with fresh eyes.
This is just another friendly FYI post by your Shaun the Sheep-ish stand-in. Still standing, at least…
A reader asked, “Did that really happen to you?” after finishing one of my novels. I’ve heard this before, and the character-revolving question churns in my mind. It’s a great question. One for which I don’t always have a ready answer, because it’s rather loaded.
When I was a professional dancer, one of my fortes was Character Dance. I think this is where I first came to understand that, as an artist, I’m all my characters and none of my characters. I abandoned myself in a role, poured out blood, sweat, and tutus, until I became another persona. The interpretation was all mine (via the Lord’s inspiration and direction). After I hung up the costumes and retreated to the hotel or home for a cup of tea and a foot-soak, I was just me and nothing like the earlier identity on stage.
It’s the same with creating characters in books. Sometimes a reader will say, “I can relate to you,” when referencing the protagonist in a novel. I appreciate the response; it’s also interesting for me. While I can draw parallelisms, such as an incident or event that motivated the story, antics that aided a character’s development, or inject personal likes and dislikes, I’m not that person. Not even in my first novel, which is assumed in the industry to be every writer’s veiled autobiography. I'm just a vehicle to carry out another's story.
If I am my characters, then I’m also a human-flesh-eating imp, a war criminal, and a subterranean giant. I’m ALL of them (because creators invest in roles), and NONE of them (because I’m somebody else at the end of the day). Clear as mud? Lol. I'm inclined to think it's more the moral of the story that speaks (if anything does), which is sourced from a gracious God.
Whenever out in the woods, or sleeping in the hammock under the stars, I feel closer to God (sense God close); I feel less alone in the world. When the commotion of society, along with its grumpy people, tax me too much, the need to head out into nature for a refresher becomes almost insurmountable. I get the desperate urge that I have to live… I have to breathe again, to renew again. The wilderness offers an active, unpredictable, and rejuvenating energy, a salve for the weary-hearted. It’s not the worship of creation but recognition of our Great Creator; his creation to take delight in and appreciate. I can worship God by glancing at a leaf, Baruch HaShem. (I just need, sometimes, to feast my eyes on PILES of them now littering the forest floor).
Last week for me was a regular nature fest, several long hikes—one in the early morning in fog so thick you could cut it, which is my favorite condition! (And I so love witnessing fog dissipate when the sun breaks through). At night, with the temperature dropping allowing the cover of frost, I pulled my blankets outside stumbling to the hammock and wrapped up in a cozy cocoon, all toasty, with just a slit for my not-yet-frozen eyeballs to take in the spread of stars. Sensing his presence, I whispered, “Ah, there you are, Lord, I’ve missed you.” Just then, a shooting star wrapped the night sky above with a bow around my heart. I had the best night’s sleep!
It’s not that God isn’t omnipresent, but it’s sometimes hard for me to sense him in the daily grind. Once out in the woods teeming with life, though, I admire his creativity in the sights, scents, and sounds of nature. My mind unclutters, and I can pray with clarity. I don’t feel alone anymore. I feel more alive than ever. (I’ve been like this since I was a kid seeking adventure, getting lost in the woods that ever drew me, along with my sisters, or on horseback, more times than I can count). There may be some reading this who might not relate; however, I know there are many others like me who relish nature and consider it a part of God’s healing balm, a hug for the seeker. (I know you’re out there because I read your blogs, memoirs, and autobiographies!)
I don’t know why I’ve shared this, but there it is anyway. Enjoy your day.
“If the sight of the blue skies fills you with joy, if a blade of grass springing up in the fields has the power to move you, if the simple things in nature have a message you understand, Rejoice, for your soul is alive.”—Eleanora Duse
Okay, so it’s not so much about dilly-dallying, since I’m not really a procrastinator, but 2020 has presented many other challenges in the “D” grade. This includes Disruptions, Delays, Difficulties, and Derailments.
Unfortunately, I’ll not meet a few of my creative-writing deadlines this year. I’m truly sorry to those waiting for the next novel or sequel—and I thank you for your patience. I am so grateful for my readers and strive to do the very best for you with each project.
Since we’re all dealing with our own set of unique circumstances during this pandemic, I won’t burden you with the details of mine. But I will share that of the three books I was working on, two derailed. They’ve turned into something other than what I set out to do. I scrapped these manuscripts after having reached the halfway point and started again from the beginning. Right about the time I made this tough decision, I saw a relevant meme floating around social media:
With a sigh of relief, I can now laugh at myself and move along. I think these books needed to take on a different perspective and I’m treading, faithfully and prayerfully, towards completion. Unless more unforeseen demands (hey, another D-grade!) are looming, we can expect the launch of these titles in 2021. I’m just going to be an early bird on this one thing and say it now: Happy New Year!
May 2021 be your best year ever. 💝✌️
I’ve moved a lot in life. In fact, we’ve relocated again during this COVID-19 era. It’s not the woodsy rural environment I prefer, but more urban with constant buzz and people present. First time in the real burbs, but there are viable reasons for making this transition and, honestly, I look at it as temporary anyway. I’ve lived in exceptional situations, sucky ones, and in-betweeners. As far as materialism, I know what it is to have little, a lot, or thrive in moderation. I’ve gained and I’ve lost, so I don’t get too attached when I regain. Life can present us with all kinds of living situations and circumstances—sometimes changing on a dime. Some we bring on ourselves by choices we make; other times it’s circumstances beyond our control. But we have the means within us to adapt to life’s seesaw.
Life on earth is transitory. And because we are spiritual beings destined for eternal life, heaven is our true home. So in a big-picture sense, if you ever feel like a stranger in a strange land, it’s because we all kind of are. Strangers passing through in what is a privilege to live a purpose-filled, lungs' air-filled life… wherever we are… by mindset. We can bloom wherever we’re planted. It’s not where we are, but how we are.
We can bloom from whatever situation we’re handed, too, even the self-inflicted ones. Because no matter where we move, or how things pan out, what we do, or who moves in or out of our lives, the one constant is that Yeshua, Jesus, loves us unconditionally, as we are, where we are, without terms or conditions. By the time you reach a certain age in a fallen world full of broken people, you’ll have experienced friends who wound you, partners who break you, situations that hurt you and you hurt back. We are flawed, but God takes it all and loves us, as us, anyway, just like that.
The other day, I listened to an artist I admire, Kendall Payne, in a shuffle mix. I was on the treadmill maintaining my half-century-old body; I was also musing over blooming and belonging when her track “Belonging” played. Gah, if my heart didn’t ache to hear it just then. The timing, the bittersweet message of the song, the relatability, made me realize again how profound faith is and the absolute love God has for us as he waits for us on the other side (home, at last) with arms open wide.
I tire of political ads, speeches, campaigns wherein the focus centers on dissing opponents. Can’t recall when this became customary, but it has always struck me as poor taste. I hate few things. This is one of them. It might be the especially volatile climate of today and weighty bitterness and injustices witnessed cities-wide, a shaking pandemic, or that I’m just getting older and less tolerant of subjecting myself to this much negativity. Because I seem to have developed a recent habit of turning off the radio or television just as soon as a politician begins this focused rant—and it’s usually by the third or fourth word. I know I’m idealistic to a fault, but I just wish I could hear a passionate speech on proposals, personal principles, and persuasive stands with the strength to stand on its own merit without the use of harsh words ripping another by ugly comparisons and throw-downs.
Years ago, I’d served as a ghostwriter for political content. It can be well-paid, eye-opening work, but not for me I finally realized. I just couldn’t stomach it anymore. Am I tainted by the experience? Sure. I’ve had more than my share of exposure to those who like to rule with brutal words and iron fists. But I always end up asking: Do unsavory words for the purpose of propelling an agenda (or for any reason) add virtue or honor? Do they truly enlighten or inform us on the issues at hand?
Yet, instead of growing harder, I seem to be softening under iron fists. I suppose I’m yearning for people, leaders, who dare to operate by a different slogan; one I’m trying--really trying to implement in my own circle: “Finally, all of you, have unity of mind, sympathy, brotherly love, a tender heart, and a humble mind.” (1 Peter 3:8). While I’m aware we will not all have unity of mind in this lifetime, on this earth, with such a range of discordant issues and beliefs, I think if we practice sympathy, brotherly love, a tender heart, and a humble mind (that is, putting the welfare of others before our own)—even just one of these—then maybe we’d behave a little better toward one another. Take better care with the words we use for each other, our fellow humans. We might even earn respect. Today, I value kindness to a much greater degree, and I beg, I beg it begins within me.
Science fiction writer, Robert A. Heinlein, coined the term “speculative fiction” in the 1940s. Since then, the industry often uses the “spec-fic” label as an all-inclusive phrase for any fiction that is science fiction, fantasy, horror, space opera, steampunk, superhero, alternate history, dystopian, paranormal, supernatural, weird fiction, or a combination, and more. But I think the genre today has strengthened into something more specific. Add in faith components to explore and--voilà!—you may have Christian speculative fiction.
There’s an element, a key to what makes something speculative. I find a lot of authors call themselves speculative but aren’t. Maybe they’re science fiction or dystopian; however, something is missing. Because a writer pens fantasy, for example, doesn’t make him/her spec-fic.
So what is it, what’s the needed key?
Speculation is defined as a notion based on conjecture rather than knowledge. Something formed over incomplete information. It’s abstract reasoning or exploration of an opinion based on guessing. It’s mystery. It’s the book that makes you grab your chin and say, “Hum… I’m not sure what to think about that, but it’s interesting, and let’s dwell on it for a spell.” It’s a walk on the bridge between the intellectual and the visceral and not based on a plot or characters in a world-build where the author spells everything out. It’s asking, “What if?” in an imaginative landscape that’s open for exploration.
Too often I grab a book to read that’s labeled Christian Speculative Fiction, yet it’s a straight up Christian fantasy, for example, (though perhaps well-done) that’s mapped out and exposited leaving no room for real speculation or imagination from the reader’s mind. I see it as a common mistake in branding. In fact, some authors might do better if they branded in a particular subgenre rather than speculative fiction because it’s harder to define. Ask eight people what spec-fic is and you’ll probably get eight different answers.
I think for a book to be truly speculative it needs to leave room for questions, be an enigma, puzzling, something difficult to understand. My favorite spec-fic books have ingredients that leave me with a big fat question mark in the shape of a stairway to climb within my mind. “What did I just read? That was an interesting slant. It challenged me; haunted me. Let’s revisit.” In fact, if you find a novel that doesn’t quite fit in a specific subgenre, such as horror or fantasy, yet it does at the same time, and you scratch your head wondering what it even is—because the labeling is difficult for you to determine—then I’d say you’ve probably discovered the heart of speculative fiction.
There are those reading this who would speculate on the accuracy of my speculation. And I’m just speculating, but the more the merrier.
Some people know what’s behind reissuing of books and recovering of novels. But because I’ve been asked more than a few times, especially recently, I’ll briefly share with those who don’t know and are curious why an online search might churn up more than one version of a particular work by an author.
If an author is contracted with a publishing company for a particular title, the author sells their rights to that title. What this means in industry standard is that the author enters a partnership. The author still has a say, but ultimately must come to an agreement with editor(s) (new boss) and graphic artists before the work is released.
When the term of contract is up, which can be anywhere between two and seven years, give or take, the full rights of the work revert back to the author and then he/she is free to seek publication elsewhere or even recontract with same company for another term. The full rights meaning the initial written work at the time of submission—before it gets an overhaul by the boss and staff. They retain what they still own, which almost always includes their artists’ work (covers) as well as formatting.
That’s why when an author republishes with a different company or version, you’ll see a new or different cover pop up for the same book. That’s the latest edition, and it’s the one that’s readily available—or should be.
I appreciate the various publishing companies I’ve worked with in the past, their devotion to the art of books and to creators, work ethic, and great rapport with their writers. I’m grateful that I’ve had pleasant partnerships. Thus, the ending of a contractual term is often bittersweet. Happens that my six-year term for Ice Dancer’s Hold has recently ended and the novella is being rereleased this week and made available in bookstores once again. Same novella, just hosting a different cover—and the new formatting I have to say is da bomb. Check it out: