Choices make destinies. Destinies can also change.
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New book alert! Dark King’s Human Bride is available for preordering at select bookstores. Click the button below to reserve your copy of my latest dark fantasy of messianic proportions. After its official release on January 24, 2022, the novel will be available in digital and/or print formats wherever books are sold.  At last, I finished the first draft of one of my current works-in-progress. And this novel was a struggle. One of the biggest hurdles in my creative writing process, both in length and ethics. Took over a year to complete—a COVID-year, mind you, but still!
Normally, when I end a first draft, I want to celebrate. I’ve known colleagues to even crack open a bottle of bubbly at this early stage (with another after publication). The foodie that I am, I prefer grabbing one of my favorite meals: tacos, Thai, or t-t-t-t-t—spaghetti. Except, after I typed the last key yesterday, I was so spent that I nearly slid from my chair to the floor in an exhale, curled up, and sucked my thumb. Today, I feel like this Shaun the Sheep-ish depiction. Standing alone in an amber space (sort of like a caution light between go and stop), nursing on a Binky, wide-eyed. Determining if the inner turmoil and opposition to completing this book was because of divine inspiration and the start of something new… or it’s crap. There’s a fine line there, ha! Since I have other active stories, it’s time to rotate and finish another while this one ferments. Have to let the manuscript sit for a while until I can come back to it with fresh eyes. This is just another friendly FYI post by your Shaun the Sheep-ish stand-in. Still standing, at least… A reader asked, “Did that really happen to you?” after finishing one of my novels. I’ve heard this before, and the character-revolving question churns in my mind. It’s a great question. One for which I don’t always have a ready answer, because it’s rather loaded.
When I was a professional dancer, one of my fortes was Character Dance. I think this is where I first came to understand that, as an artist, I’m all my characters and none of my characters. I abandoned myself in a role, poured out blood, sweat, and tutus, until I became another persona. The interpretation was all mine (via the Lord’s inspiration and direction). After I hung up the costumes and retreated to the hotel or home for a cup of tea and a foot-soak, I was just me and nothing like the earlier identity on stage. It’s the same with creating characters in books. Sometimes a reader will say, “I can relate to you,” when referencing the protagonist in a novel. I appreciate the response; it’s also interesting for me. While I can draw parallelisms, such as an incident or event that motivated the story, antics that aided a character’s development, or inject personal likes and dislikes, I’m not that person. Not even in my first novel, which is assumed in the industry to be every writer’s veiled autobiography. I'm just a vehicle to carry out another's story. If I am my characters, then I’m also a human-flesh-eating imp, a war criminal, and a subterranean giant. I’m ALL of them (because creators invest in roles), and NONE of them (because I’m somebody else at the end of the day). Clear as mud? Lol. I'm inclined to think it's more the moral of the story that speaks (if anything does), which is sourced from a gracious God. Regret. It’s a part of human nature since the fall of man, and I daresay we are born with having to deal with it. I have regrets. A few are doozies that keep me up some nights. They fall under the categories of immaturity, impetuousness, impatience, denial, poor choices—maybe ones that changed the trajectory of my life—and I’ll admit, foolishness. When I didn’t think or wait on the Lord, or heed the advice of others, but moved forward on my own volition. Tsk, tsk, tsk. Savage! As an introverted writer, I have to say I’ve rather enjoyed this shelter-in-place era as little has changed in my day-to-day—other than closure of the Cherokee National Forest wherein lies tastes of freedom I particularly enjoy. But as a deep thinker, I’ve found this season especially challenging wherein thoughts can be dangerous. In other words, if the virus doesn’t kill you, or pro/anti-mask-wearers smack you depending on which “side” you’re on, regret just might. Unless you strive for a renewal every morning by God’s Word—our blueprint for life, a barebones necessity, our spiritual water, food, and shelter. Writing is purpose-filled for me, messages contained within paper or digital pages intended for others. There is sometimes my own therapy in the progression, though. Which leads me to my current WIP (work-in-progress). After receiving emails asking if I’m going to write a sequel to Remnant, with the reemergence of Atizael, the answer is a solid yes. And I’ve started that; however, often the current of creativity demands a drop and refocus. I’ve switched gears. Working feverishly to finish a book on regret and the transgressions and haunts of our past. It’s in the format of a dark fantasy romance, but the spiritual significance is there, and it’s what I—for some reason—need to spend my time on right now. The current working title at this point is Dark King’s Human Bride. And in being honest, unless my beta readers tell me, “Hey, Chicky, this is a bit much,” it’s coming out a touch graphic. I have a longstanding issue with much of Christian fiction being candy-coated anyway (perhaps more on this in another blog). Human nature is human nature, and evil is evil. Regret in all forms is regret in every form. It is what it is, and I have to be true to the nature of this beast. But not without good intention! I find a quote by writer Anne Lamott perfect for the launch of this literary ride: “Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up.” This savage has set off. More later. |
Tessais a storyteller, and a transcript editor. She's also a Romans 8:28 kind of Jewish girl ... 
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