The swell of despair over disease, injustice, hostility, and chaos can be debilitating. The giant mountain of unemployment is heartbreaking; many are out-of-work for an unforeseen time. I’m feeling the angst of the entire struggle (I know I’m not alone), and the political system stinks (sorry). Things are feeling way off, different, wouldn’t you say? But this isn’t new, this troubling season, this has happened before in history. And humankind finds a way. We find a way to survive. We do. We will.
I’d say it’s a time of transition. Yet transitions often are painful, crushing. But transition usually redirects us towards something better. I believe two years from now will look very different from what it does today. Today never lasts, so if today is bad we have tomorrow’s sunrise.
The horizon is difficult to distinguish on a cloudy day. We can’t always see beyond, but we know the beyond is there. This is like faith. When we believe without seeing that the sun will crack through and shimmer over the waters once again, and we can feast our eyes on the fresh, beautiful, and awe-inspiring. God holds the future.
“Declaring the end from the beginning and from ancient times things not yet done, saying, ‘My counsel shall stand, and I will accomplish all my purpose’”—Isaiah 46:10
Regret. It’s a part of human nature since the fall of man, and I daresay we are born with having to deal with it. I have regrets. A few are doozies that keep me up some nights. They fall under the categories of immaturity, impetuousness, impatience, denial, poor choices—maybe ones that changed the trajectory of my life—and I’ll admit, foolishness. When I didn’t think or wait on the Lord, or heed the advice of others, but moved forward on my own volition. Tsk, tsk, tsk. Savage!
As an introverted writer, I have to say I’ve rather enjoyed this shelter-in-place era as little has changed in my day-to-day—other than closure of the Cherokee National Forest wherein lies tastes of freedom I particularly enjoy. But as a deep thinker, I’ve found this season especially challenging wherein thoughts can be dangerous. In other words, if the virus doesn’t kill you, or pro/anti-mask-wearers smack you depending on which “side” you’re on, regret just might. Unless you strive for a renewal every morning by God’s Word—our blueprint for life, a barebones necessity, our spiritual water, food, and shelter.
Writing is purpose-filled for me, messages contained within paper or digital pages intended for others. There is sometimes my own therapy in the progression, though. Which leads me to my current WIP (work-in-progress). After receiving emails asking if I’m going to write a sequel to Remnant, with the reemergence of Atizael, the answer is a solid yes. And I’ve started that; however, often the current of creativity demands a drop and refocus.
I’ve switched gears. Working feverishly to finish a book on regret and the transgressions and haunts of our past. It’s in the format of a dark fantasy romance, but the spiritual significance is there, and it’s what I—for some reason—need to spend my time on right now. The current working title at this point is Dark King’s Human Bride. And in being honest, unless my beta readers tell me, “Hey, Chicky, this is a bit much,” it’s coming out a touch graphic. I have a longstanding issue with much of Christian fiction being candy-coated anyway (perhaps more on this in another blog). Human nature is human nature, and evil is evil. Regret in all forms is regret in every form. It is what it is, and I have to be true to the nature of this beast.
But not without good intention! I find a quote by writer Anne Lamott perfect for the launch of this literary ride: “Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up.”
This savage has set off. More later.
Some people know what’s behind reissuing of books and recovering of novels. But because I’ve been asked more than a few times, especially recently, I’ll briefly share with those who don’t know and are curious why an online search might churn up more than one version of a particular work by an author.
If an author is contracted with a publishing company for a particular title, the author sells their rights to that title. What this means in industry standard is that the author enters a partnership. The author still has a say, but ultimately must come to an agreement with editor(s) (new boss) and graphic artists before the work is released.
When the term of contract is up, which can be anywhere between two and seven years, give or take, the full rights of the work revert back to the author and then he/she is free to seek publication elsewhere or even recontract with same company for another term. The full rights meaning the initial written work at the time of submission—before it gets an overhaul by the boss and staff. They retain what they still own, which almost always includes their artists’ work (covers) as well as formatting.
That’s why when an author republishes with a different company or version, you’ll see a new or different cover pop up for the same book. That’s the latest edition, and it’s the one that’s readily available—or should be.
I appreciate the various publishing companies I’ve worked with in the past, their devotion to the art of books and to creators, work ethic, and great rapport with their writers. I’m grateful that I’ve had pleasant partnerships. Thus, the ending of a contractual term is often bittersweet. Happens that my six-year term for Ice Dancer’s Hold has recently ended and the novella is being rereleased this week and made available in bookstores once again. Same novella, just hosting a different cover—and the new formatting I have to say is da bomb. Check it out:
Please meet my New Adult, Paranormal Romance, Speculative, angsty novel written from a Biblical Worldview (if that is not a mouthful). Freshly published.
Elyse Magellan auditions at a dance conservatory for the elite. Privileged she is not, and so presses on by sheer determination, talent—and hopefully a great deal of luck—to get into the prestigious school and resident company. But nothing overwhelms her more than the aristocratic Gabriel Krist – the school’s accompanist and concert pianist. Not only does he possess a compelling demeanor, he looks like a god, an angel pale and beautiful. He’d like to possess her, but is it for love or something else? What others in the wings say about him is a shrouded story. His promiscuous reputation has Elyse, the innocent, on edge. That’s not the only thing that troubles her. Gabriel is…different. Something dark resides in him. She doesn’t know what it is, this thing that urges her to run, yet she can’t seem to pull away. At the same time, Gabriel is desperate for someone to find even a flicker of goodness in his cursed and heartless soul. Dare he lead this young fawn in his irreparable dance through the dark? Or does she possess the wherewithal to lead him out of the shadows and into light?