I have this relationship with the sky. When I wake up first thing, I grab a cup of coffee, step outside, glance up into its face and ask, “Well, what would you like to do today?” And whether the answer is filled with clarity, clouds, storms, or stillness, I make it a point to add, “This day belongs to you, Lord.” It has become a habit, this daily dedication. No matter what, come what may; in good times, bad times (you know I’ve had my share 🎶), there is no other name under heaven than Yeshua.
I’m a seer yet can’t seem to see what’s directly ahead of me right now (the irony). Other than a few significant dreams—about ships and clocks, specific people and cultures—I have no idea what God is doing. Yet, for some reason, I can glimpse up at the expansive sky and find reassurance, a reminder that HE’S got this day, and every day is in his hands. Instead of analyzing or fretting, I can rest in his presence, trust in faith, albeit blind faith sometimes.
As I was out visiting my horse, pondering the meaningful metaphors of the sky, I looked upward when my favorite Mr. Heron made a sudden appearance, changed direction and flew right over my head. I watched the stoic air-traveler meld into the horizon. I then drew a big breath—because I think I’d stopped breathing for a second there—and exhaled with pleasure. Then last night when I greeted the full moon, I acknowledged and appreciated its reflection of the cross.
Yeah, the sky inspires me. It is ever-present yet full of surprises. Just like my God who created the lovely, larger-than-me-and-my-issues, hope-filled sky. This day belongs to him.
Choices make destinies. Destinies can also change.
New book alert! Dark King’s Human Bride is available for preordering at select bookstores. Click the button below to reserve your copy of my latest dark fantasy of messianic proportions.
After its official release on January 24, 2022, the novel will be available in digital and/or print formats wherever books are sold.
“Never listen to your critics. They aren’t qualified to usurp the still, small, voice that speaks in the silence between your own thoughts.”—Russ Walden
It takes courage to write truths in fiction; write what hurts. To contextualize emotions, the struggles; tapping into the raw nature and grind of real life and transposing them into an altered universe. The result might not represent a true existence verbatim, but can harbor the angst, dilemmas, struggles, and sicknesses of hope-depleted hearts in order to instill hope in the end. It can be scary sometimes to release a story that holds a little more truth than you’d care to admit. Makes one feel vulnerable. But it’s always the still, small voice, a reminder that what’s written might be intended for one person only. And that one person to get it, feel moved and encouraged by your labor of love, washes over any potential collection of critics, large or small.
Writing with boldness, listening with care…
At last, I finished the first draft of one of my current works-in-progress. And this novel was a struggle. One of the biggest hurdles in my creative writing process, both in length and ethics. Took over a year to complete—a COVID-year, mind you, but still!
Normally, when I end a first draft, I want to celebrate. I’ve known colleagues to even crack open a bottle of bubbly at this early stage (with another after publication). The foodie that I am, I prefer grabbing one of my favorite meals: tacos, Thai, or t-t-t-t-t—spaghetti. Except, after I typed the last key yesterday, I was so spent that I nearly slid from my chair to the floor in an exhale, curled up, and sucked my thumb. Today, I feel like this Shaun the Sheep-ish depiction.
Standing alone in an amber space (sort of like a caution light between go and stop), nursing on a Binky, wide-eyed. Determining if the inner turmoil and opposition to completing this book was because of divine inspiration and the start of something new… or it’s crap. There’s a fine line there, ha!
Since I have other active stories, it’s time to rotate and finish another while this one ferments. Have to let the manuscript sit for a while until I can come back to it with fresh eyes.
This is just another friendly FYI post by your Shaun the Sheep-ish stand-in. Still standing, at least…
A reader asked, “Did that really happen to you?” after finishing one of my novels. I’ve heard this before, and the character-revolving question churns in my mind. It’s a great question. One for which I don’t always have a ready answer, because it’s rather loaded.
When I was a professional dancer, one of my fortes was Character Dance. I think this is where I first came to understand that, as an artist, I’m all my characters and none of my characters. I abandoned myself in a role, poured out blood, sweat, and tutus, until I became another persona. The interpretation was all mine (via the Lord’s inspiration and direction). After I hung up the costumes and retreated to the hotel or home for a cup of tea and a foot-soak, I was just me and nothing like the earlier identity on stage.
It’s the same with creating characters in books. Sometimes a reader will say, “I can relate to you,” when referencing the protagonist in a novel. I appreciate the response; it’s also interesting for me. While I can draw parallelisms, such as an incident or event that motivated the story, antics that aided a character’s development, or inject personal likes and dislikes, I’m not that person. Not even in my first novel, which is assumed in the industry to be every writer’s veiled autobiography. I'm just a vehicle to carry out another's story.
If I am my characters, then I’m also a human-flesh-eating imp, a war criminal, and a subterranean giant. I’m ALL of them (because creators invest in roles), and NONE of them (because I’m somebody else at the end of the day). Clear as mud? Lol. I'm inclined to think it's more the moral of the story that speaks (if anything does), which is sourced from a gracious God.
I might have done a strange thing as a child when I asked for wisdom... I’m not sure. I wasn’t around peers too much to find out if this is what they did too, since my formative years took place in the boonies. My only friends were animals, especially horses. It’s just the way things were. I don’t mind. I had a solid upbringing with loving parents and siblings, and I adored my lot of furry companions who didn’t seem to mind my quirky quests.
And I couldn’t say I understood what or who God was, although I’m quite certain of his presence. My mother was my primary spiritual teacher, and she’d tell me stories about important things—things I embrace even stronger today. Because I still hear her voice, though she has passed from this life into the next. Wisdom was something she spoke and sang of often, and her multi-layered lessons, like colors in paintings, enthralled me so much that I remember being not older than five, six, or seven years old and asking for Wisdom to grace my life in bright hues.
“Do not forsake wisdom, and she will protect you; love her, and she will watch over you. The beginning of wisdom is this: Get wisdom. Though it cost all you have, get understanding.” Proverbs is one of my favorite books, touching often on wisdom, and this verse comes from 4:6-7.
I’ve heard others use the expression, sometimes jokingly, that a person gains wisdom by making mistakes; the more mistakes made, the wiser you are. Is this what it means for something to cost all you have to gain? Well, when I, owning a catalog of cringeworthy mistakes, walk into any crowded room, all eyes should fall on me, and in unison the people cry out, “All hail the Wisest One of All.” But that never happens—thank God!
Circumstances beyond control cause a person to open their eyes, see reality for what it is instead of through a bubble (if there was a bubble to begin with). And choices. And mistakes. And results, as well as responses from others. If I knew then what I know now... You’ve heard the phrase. It goes along with the error of one’s ways.
All this to say, Wisdom is good; cherish her. One day, her benefits and nurturing rapport will shine through.
“Wisdom comes alone with suffering.”—Aeschylus
I’ve moved a lot in life. In fact, we’ve relocated again during this COVID-19 era. It’s not the woodsy rural environment I prefer, but more urban with constant buzz and people present. First time in the real burbs, but there are viable reasons for making this transition and, honestly, I look at it as temporary anyway. I’ve lived in exceptional situations, sucky ones, and in-betweeners. As far as materialism, I know what it is to have little, a lot, or thrive in moderation. I’ve gained and I’ve lost, so I don’t get too attached when I regain. Life can present us with all kinds of living situations and circumstances—sometimes changing on a dime. Some we bring on ourselves by choices we make; other times it’s circumstances beyond our control. But we have the means within us to adapt to life’s seesaw.
Life on earth is transitory. And because we are spiritual beings destined for eternal life, heaven is our true home. So in a big-picture sense, if you ever feel like a stranger in a strange land, it’s because we all kind of are. Strangers passing through in what is a privilege to live a purpose-filled, lungs' air-filled life… wherever we are… by mindset. We can bloom wherever we’re planted. It’s not where we are, but how we are.
We can bloom from whatever situation we’re handed, too, even the self-inflicted ones. Because no matter where we move, or how things pan out, what we do, or who moves in or out of our lives, the one constant is that Yeshua, Jesus, loves us unconditionally, as we are, where we are, without terms or conditions. By the time you reach a certain age in a fallen world full of broken people, you’ll have experienced friends who wound you, partners who break you, situations that hurt you and you hurt back. We are flawed, but God takes it all and loves us, as us, anyway, just like that.
The other day, I listened to an artist I admire, Kendall Payne, in a shuffle mix. I was on the treadmill maintaining my half-century-old body; I was also musing over blooming and belonging when her track “Belonging” played. Gah, if my heart didn’t ache to hear it just then. The timing, the bittersweet message of the song, the relatability, made me realize again how profound faith is and the absolute love God has for us as he waits for us on the other side (home, at last) with arms open wide.
Regret. It’s a part of human nature since the fall of man, and I daresay we are born with having to deal with it. I have regrets. A few are doozies that keep me up some nights. They fall under the categories of immaturity, impetuousness, impatience, denial, poor choices—maybe ones that changed the trajectory of my life—and I’ll admit, foolishness. When I didn’t think or wait on the Lord, or heed the advice of others, but moved forward on my own volition. Tsk, tsk, tsk. Savage!
As an introverted writer, I have to say I’ve rather enjoyed this shelter-in-place era as little has changed in my day-to-day—other than closure of the Cherokee National Forest wherein lies tastes of freedom I particularly enjoy. But as a deep thinker, I’ve found this season especially challenging wherein thoughts can be dangerous. In other words, if the virus doesn’t kill you, or pro/anti-mask-wearers smack you depending on which “side” you’re on, regret just might. Unless you strive for a renewal every morning by God’s Word—our blueprint for life, a barebones necessity, our spiritual water, food, and shelter.
Writing is purpose-filled for me, messages contained within paper or digital pages intended for others. There is sometimes my own therapy in the progression, though. Which leads me to my current WIP (work-in-progress). After receiving emails asking if I’m going to write a sequel to Remnant, with the reemergence of Atizael, the answer is a solid yes. And I’ve started that; however, often the current of creativity demands a drop and refocus.
I’ve switched gears. Working feverishly to finish a book on regret and the transgressions and haunts of our past. It’s in the format of a dark fantasy romance, but the spiritual significance is there, and it’s what I—for some reason—need to spend my time on right now. The current working title at this point is Dark King’s Human Bride. And in being honest, unless my beta readers tell me, “Hey, Chicky, this is a bit much,” it’s coming out a touch graphic. I have a longstanding issue with much of Christian fiction being candy-coated anyway (perhaps more on this in another blog). Human nature is human nature, and evil is evil. Regret in all forms is regret in every form. It is what it is, and I have to be true to the nature of this beast.
But not without good intention! I find a quote by writer Anne Lamott perfect for the launch of this literary ride: “Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up.”
This savage has set off. More later.
Science fiction writer, Robert A. Heinlein, coined the term “speculative fiction” in the 1940s. Since then, the industry often uses the “spec-fic” label as an all-inclusive phrase for any fiction that is science fiction, fantasy, horror, space opera, steampunk, superhero, alternate history, dystopian, paranormal, supernatural, weird fiction, or a combination, and more. But I think the genre today has strengthened into something more specific. Add in faith components to explore and--voilà!—you may have Christian speculative fiction.
There’s an element, a key to what makes something speculative. I find a lot of authors call themselves speculative but aren’t. Maybe they’re science fiction or dystopian; however, something is missing. Because a writer pens fantasy, for example, doesn’t make him/her spec-fic.
So what is it, what’s the needed key?
Speculation is defined as a notion based on conjecture rather than knowledge. Something formed over incomplete information. It’s abstract reasoning or exploration of an opinion based on guessing. It’s mystery. It’s the book that makes you grab your chin and say, “Hum… I’m not sure what to think about that, but it’s interesting, and let’s dwell on it for a spell.” It’s a walk on the bridge between the intellectual and the visceral and not based on a plot or characters in a world-build where the author spells everything out. It’s asking, “What if?” in an imaginative landscape that’s open for exploration.
Too often I grab a book to read that’s labeled Christian Speculative Fiction, yet it’s a straight up Christian fantasy, for example, (though perhaps well-done) that’s mapped out and exposited leaving no room for real speculation or imagination from the reader’s mind. I see it as a common mistake in branding. In fact, some authors might do better if they branded in a particular subgenre rather than speculative fiction because it’s harder to define. Ask eight people what spec-fic is and you’ll probably get eight different answers.
I think for a book to be truly speculative it needs to leave room for questions, be an enigma, puzzling, something difficult to understand. My favorite spec-fic books have ingredients that leave me with a big fat question mark in the shape of a stairway to climb within my mind. “What did I just read? That was an interesting slant. It challenged me; haunted me. Let’s revisit.” In fact, if you find a novel that doesn’t quite fit in a specific subgenre, such as horror or fantasy, yet it does at the same time, and you scratch your head wondering what it even is—because the labeling is difficult for you to determine—then I’d say you’ve probably discovered the heart of speculative fiction.
There are those reading this who would speculate on the accuracy of my speculation. And I’m just speculating, but the more the merrier.