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Some people know what’s behind reissuing of books and recovering of novels. But because I’ve been asked more than a few times, especially recently, I’ll briefly share with those who don’t know and are curious why an online search might churn up more than one version of a particular work by an author.
If an author is contracted with a publishing company for a particular title, the author sells their rights to that title. What this means in industry standard is that the author enters a partnership. The author still has a say, but ultimately must come to an agreement with editor(s) (new boss) and graphic artists before the work is released. When the term of contract is up, which can be anywhere between two and seven years, give or take, the full rights of the work revert back to the author and then he/she is free to seek publication elsewhere or even recontract with same company for another term. The full rights meaning the initial written work at the time of submission—before it gets an overhaul by the boss and staff. They retain what they still own, which almost always includes their artists’ work (covers) as well as formatting. That’s why when an author republishes with a different company or version, you’ll see a new or different cover pop up for the same book. That’s the latest edition, and it’s the one that’s readily available—or should be. I appreciate the various publishing companies I’ve worked with in the past, their devotion to the art of books and to creators, work ethic, and great rapport with their writers. I’m grateful that I’ve had pleasant partnerships. Thus, the ending of a contractual term is often bittersweet. Happens that my six-year term for Ice Dancer’s Hold has recently ended and the novella is being rereleased this week and made available in bookstores once again. Same novella, just hosting a different cover—and the new formatting I have to say is da bomb. Check it out:
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Big whoop, right? For me it is, when I seem to move at a slower pace than the rest of the world. For a long time, I heard Instagram is where it’s at, whatever “it” means (still processing)—but I did finally catch up in this social media race. Give me space to tiptoe on my own and I’ll eventually get there (said the tortoise to the hare). Instagram. You can follow me there, here: https://www.instagram.com/tessastockton_author/   Wouldn’t it be neat whenever we sense a need for renovation to do a flip? I’m not speaking in terms of real estate. Sometimes I think I’d like to trade any bad, static experiences in life for good, seeking a fresh perspective. A few words sweep into my mind for how to get there. “…be transformed by the renewing of your mind,” (Romans 12:2) and, “…in all things God works for the good of those who love him,” (Romans 8:28). The motivation of flipping negatives for positives rather than flipping out holds a more promising outcome, for sure. On the other hand, the ability to appreciate the good things is oft times amplified by having encountered the bad. Yin and yang, as many would say. #iamonlyhuman  Just had to share this tribute to the recent unthinkable tragedy at Sandy Hook Elementary School. I've been choked up since the news, and this "Christmas at God's House" by Cameo Smith, posted by Unruly Guides, offers a sacred glimpse into heaven.
http://www.unrulyguides.com/2012/12/christmas-at-gods-house/#comment-9011 |
TESSA STOCKTON, AUTHOR -
Pressing through life, love, a few things that matter, and a lot of things that don't.
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