 Science fiction writer, Robert A. Heinlein, coined the term “speculative fiction” in the 1940s. Since then, the industry often uses the “spec-fic” label as an all-inclusive phrase for any fiction that is science fiction, fantasy, horror, space opera, steampunk, superhero, alternate history, dystopian, paranormal, supernatural, weird fiction, or a combination, and more. But I think the genre today has strengthened into something more specific. Add in faith components to explore and--voilà!—you may have Christian speculative fiction.
There’s an element, a key to what makes something speculative. I find a lot of authors call themselves speculative but aren’t. Maybe they’re science fiction or dystopian; however, something is missing. Because a writer pens fantasy, for example, doesn’t make him/her spec-fic. So what is it, what’s the needed key? Speculation is defined as a notion based on conjecture rather than knowledge. Something formed over incomplete information. It’s abstract reasoning or exploration of an opinion based on guessing. It’s mystery. It’s the book that makes you grab your chin and say, “Hum… I’m not sure what to think about that, but it’s interesting, and let’s dwell on it for a spell.” It’s a walk on the bridge between the intellectual and the visceral and not based on a plot or characters in a world-build where the author spells everything out. It’s asking, “What if?” in an imaginative landscape that’s open for exploration. Too often I grab a book to read that’s labeled Christian Speculative Fiction, yet it’s a straight up Christian fantasy, for example, (though perhaps well-done) that’s mapped out and exposited leaving no room for real speculation or imagination from the reader’s mind. I see it as a common mistake in branding. In fact, some authors might do better if they branded in a particular subgenre rather than speculative fiction because it’s harder to define. Ask eight people what spec-fic is and you’ll probably get eight different answers. I think for a book to be truly speculative it needs to leave room for questions, be an enigma, puzzling, something difficult to understand. My favorite spec-fic books have ingredients that leave me with a big fat question mark in the shape of a stairway to climb within my mind. “What did I just read? That was an interesting slant. It challenged me; haunted me. Let’s revisit.” In fact, if you find a novel that doesn’t quite fit in a specific subgenre, such as horror or fantasy, yet it does at the same time, and you scratch your head wondering what it even is—because the labeling is difficult for you to determine—then I’d say you’ve probably discovered the heart of speculative fiction. There are those reading this who would speculative on the accuracy of my speculation. And I’m just speculating, but the more the merrier.
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 The Brother's Keep series is now available in paperback as a compilation of novellas I-IV. 364 pages in this volume of allegorical Christian fantasy romance.
Coming-of-age amid fallen angels, mermaids, supernatural beings, and vampires has its challenges. But there is hope and beauty in these fairy tales, as well. See how and why.
About an hour from where I live, carved within the earth’s oldest mountain chain is a caving system consisting of one of the largest caverns in the eastern United States. Within Tuckaleechee Caverns is the most sensitive seismic station detecting earthquakes, as well. There are so many incredible things about this experience. I happen to live in a region boasting of caves to explore! Since I’m fascinated with caves and had family visiting, you guessed it, we went caving. We also road the Lookout Mountain’s Incline Railway with a 72.7% grade, one of the world’s steepest passenger railways, a mile long, and also about an hour from where I live (lucky me). But because I’m afraid of heights and needed both hands to hang onto something/anything solid, I didn’t snap any photos. Fortunately, I got into conversation with several vacationing Brits, which distracted me from the dizzying open air and potential fall from the heights to my death. Give me tight, dark spaces to wiggle through in the bowels of the earth any day. But put me on top of the mountains and I turn to jelly. The Brits have no idea, but they saved my life. :D Some members of my family are quite shy, so no photos shared here. My cool son who is my very own minor had little to say in the matter, so there he is, living large in the cavern. We capped the week off by motorcycling. Between the humidity, dampness of that particular cavern (ceiling drips, waterfalls, pools and streams), and helmet head, my hair fell very flat. Don’t judge me. :P Because caves take my breath away, they have made appearances in several of my novels. In fact, my latest thriller takes place exclusively in the subterranean world. Time for a shameless plug for REMNANT: “Today I thought I’d cave dive, instead opened the world to the dead. Now I’m where I do not belong and don’t know how to get back.” #Giants #Nephilim #Underworld Cheers.
 Branding remains an enigma for me as a genre-blended writer. I find it sticky to pinpoint author taglines, even after clarifying discussions. The topic has even entered my dreams. In one someone asked, “What kind of writer are you?” Working my jaw as if chewing a cud, I answered, “Mooooo” which transitioned into “nooooo!”
Even if I settle, the market today is such a crapshoot (marketing gurus may cringe) that something which works today might not tomorrow. Creativity is like wind, unpredictable. A writer is like a wild mustang… You know it’s a horse (author). You can expect certain characteristics such as neighing, rearing, and tossing its mane (message, although variable). What you don’t know is where it’ll go (what he/she will do next) and how (medium)—while stirred by the wind. Leo Tolstoy said, “If you want to be happy, be.” On that note, if you want to write, write. Perhaps a perfect depiction will come in the process. If not, maybe versatile and free will come to the minds of observers. |
TESSA STOCKTON, AUTHOR -
Pressing through life, love, a few things that matter, and a lot of things that don't.
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