Maybe it should be entitled, True Love Never Dies. In the sequel to The Phantom of the Opera, Christine Daaé has been married to Raoul ten years. At first considered safe and secure, Raoul has proven otherwise, as he drowns in his self-inflicted indomitable issues. Moreover, tenderness towards his wife has withered to nil. She dutifully has stayed beside him, accepting her lot with grace, yet she is hollow where happiness should reside, disappointed where love should flourish. And all this time, she has suppressed the secret that her true soul mate is not the one she had married. Erik, the phantom lover, suddenly reenters the picture after a decade. Wonderfully cast in this Australian production with Anna O’Byrne as Christine and Ben Lewis as Erik, the following is my favorite scene, a recollection of their night together, the two who were meant to be one. It’s beautifully tragic, horribly exquisite, pleading, what is love without anguish, heartbreak, regret, and longing.
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Tessais a storyteller, and a transcript editor. She's also a Romans 8:28 kind of Jewish girl ... For Tessa's new
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